Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made.

The winner of a regional women's darts final suspects her opponent of letting her win, and won't let her leave until she finds out why.

Dedicated boxers square off against trigger-happy drug pushers

A defiant warrior-monk arrives at Kublai Khan's court in chains and soon earns his tragic nickname in this 30-minute origin story.

Tarn is a pretty lady who is a swindler. She and her mother are in a lot of debts because of her mother’s gambling, so she decides to drug a man and steal a ring from him.The ring is an heirloom, it belongs to Phubadee, a playboy and heir to a great fortune. Because of Tarn, Phubadee was attacked and loses his memory. Tarn then lies to him that she is his wife because she wants to swindle 10 million from him in order to repay her creditors.

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A police inspector recruits a suspended cop for a specialized task force to battle organized crime.

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Pebble Mill at One was a popular British lunchtime magazine, broadcast live from Monday to Friday at 13:00, mainly on BBC1. It was transmitted from the Pebble Mill studios of BBC Birmingham, and uniquely, was hosted from the centre's main foyer area, rather than a conventional studio. In the beginning, visitors to the studios were seen arriving in the background as the programme was transmitted.Reasons for this were: a planned third studio was never constructed on the site, and existing facilities were fully booked for network drama production and local news. Gradually, as the show was successful, the foyer became a studio, and visitors had to use a new entrance. The show ran from 2 October 1972 to 23 May 1986, under various programme Editors including: Terry Dobson, Jim Dumighan, and Peter Hercombe..For most of that period there were few television programmes transmitted in Britain on any channels during the day. For this reason the programme acquired a unique following from those who found themselves at home at lunchtime. Housewives, students, and those recovering from an illness remember it with fondness for its variety and the problems inherent with live television. Its best remembered theme tune was "As You Please" by the Raymond Lefevre orchestra.

Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.